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How to read about the witch hunts without getting fooled

This is the part of the job when the books stack up. Here's how I decide how much to trust them... and some recommendations.

How to read about the witch hunts without getting fooled
Poster for the WPA Statewide Library Project. Work Projects Administration Poster Collection (Library of Congress). Date stamped on verso: Aug 30 1940. Attributed to Albert M. Bender.

When I pick a topic for the podcast, I have more questions than answers about it. That's the point. The show is my excuse to find out, a cognitive device to force my Instagram-addled brain to drop the phone and pick up the books. It's the part of the job you don't see – or at least didn't until I decided to make this a process newsletter – and I love it.

Since I promised you a series in November, I've been hitting the stacks. One of you on TikTok (and it's lucky I saw it because I'm really only ever on Instagram) asked me for my recommendations.

I love the question and it's not an easy one: Even in my serious-as-they-come academic library, histories of the early modern witch hunts are commonly mixed in with books about actual witchcraft or esoterica and political essays that use an approximative history of the witch hunts as a backdrop to contemporary convictions. It takes serious intellectual discipline not to mix them up. While I'm still reading and I haven't got my final list of recommendations yet, I can share the criteria I use in evaluating what I find in the stacks. Here are four things I quickly check before deciding whether to invest my time with a book.

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  1. Is this book trying to convince me of something?

There are fundamentally two kinds of books about the witch hunts: factual histories that stick to the past and are merely a (re)telling of what happened, and contemporary interpretations that constantly jump between past and present to make a political point. You can usually identify the latter if not by their title, then by their opinionated subhead: "Why women are still on trial" (Mona Chollet's In Defence of Witches), "The demonisation of middle-aged women" (Victoria Smith's Hags) or "In Search of our Lost Feminine Power" (Susanne Tonti's Good Witch). These are not necessarily bad books, but they more commonly fall into the trap of cherry-picking facts that back their thesis. Proceed with caution. I would start with more straightforward histories to be armed with sufficient facts to read this second category with the required critical distance.

  1. Who wrote this?

When in doubt, turn to an academic historian. These people have painstakingly trained to question everything, to write only what they can prove, and to cite every line to within an inch of its life. They've often studied a topic for a decade or more before writing the book in front of you. The best of them manage to write general audience books that do not sacrifice storytelling to accuracy. I'd start with Marion Gibson, Malcolm Gaskill or Ronald Hutton. That said, there is also a long tradition of journalists, teachers and dedicated amateurs turned public historians who hold themselves to similarly stringent standards, even without a PhD. (Hello, it's me.) On the witch hunts, try Stacy Schiff, Daniel A. Gagnon, Claire Mitchell and Zoe Venditozzi.

  1. Does this author earn my trust?

Now open the book. Read a few pages at random and pay attention: Is the tone peremptory and unquestioning or does it allow for nuance and doubt? Are ideas stated or are they demonstrated? Does the author acknowledge arguments that run counter to theirs? Look for footnotes, citations and a solid bibliography. See if they occasionally use the phrase "we don't know" or debunk a convenient belief. Bonus points for uses of primary documents. This kind of work is more trustworthy and it spares the writer ending up with egg on their face when, inevitably, they are proven wrong. See below.

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  1. When was this published?

History is not fixed. It's a constant work of reappraisal and rediscovery. The older the book, the more likely it is that it has been at least partially invalidated or improved upon by later scholarship. Frustratingly, Silvia Federici's "Caliban and the Witch" (published 2004, but adapted from essays from the 1980s) or Barbara Ehrenreich's "Witches, Midwives and Nurses" (published 1973) are still widely and unquestioningly cited in pop histories of the witch hunts, even though historians have now largely disproven their central theses. (These books also belong more to the political category in the first place. We'll get into this in the show and a future newsletter.) Even when the book is just a few years old, it's worth a quick Google – or gold standard, if you can access them at a good library, a search through scholarly journals – to see what objections have been raised.

We should all read and write humbly.

That books once foundational to women's history are now quite outdated should be a lesson in humility to all of us, readers and writers alike. Read widely. Hold on loosely. Never trust a single source – not even me.

With all that in mind, here are some books about the witch hunts I'm enjoying and that seem solid so far. (Here is the same list for UK readers.)


Your recommendations

You all really showed up after last week's newsletter announcement of the new series. I love it! You privately sent me your own recommendations for documentaries, courses, guests to book... I thought the whole group should benefit.